Exercising intuition is a driving force of Sodamin’s work, celebrating the cerebral act of discovery, and enacting upon it. Through various methods, chance is as integral to me as control. Sodamin is interested in the relativity of the pictorial/surface; embracing micro/macro relationships. Exploring the territory between science, spirituality, and natural phenomena, his work seeks to evoke an interpretive abstraction, facilitating the tension of the unknown and the self-aware. He is not trying to rival nature, but rather open up the possibility for imaginary alternatives, a magic circle in which elements of the miraculous and supernatural are at play.